By Klaus H. Carl
Chaïm Soutine (1893-1943), the novel and debatable painter of Belorussian foundation, combines affects of vintage eu portray with Post-Impressionism and Expressionism. As a member of the Artists from Belarus, a bunch in the Parisian college, he created an oeuvre regularly which includes landscapes, nonetheless lifes, and graphics. His person variety, characterized by means of monitors of humour and melancholy and through use of luminous shades, makes him a latest grasp who's nonetheless little understood.
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Additional resources for Chaïm Soutine
Private collection, France. Man with a Pipe (Portrait of Chauveau), c. 1916. 9 x 46 cm. Private collection, Paris. (p. 32) Woman with Dog, 1917. 8 cm. University of Iowa Museum of Art, Iowa City. (p. 14:Layout 1 5/5/2015 4:08 PM Page 34 He is in his appearance less a Jew than a Tartar. But when you know his migratory habits, he is as much a Jew as he is a Tartar. He walks toward a horizon that is constantly moving, and his nocturnal wanderings, his sudden flight, probably symbolising the need to escape from himself and to find at the turning point of the street, a durability that had always been denied to him.
Farm Girl, c. 1919. 5 cm. Nagoya City Art Museum, Nagoya (Japan). (p. 62) Melanie, the Schoolteacher, c. 1922. 6 x 46 cm. Columbus Museum of Art, Columbus (Ohio). (p. 14:Layout 1 8/15/2014 3:47 PM Page 65 Paris – The 1920s U pon his return, he had no idea that the year 1923 would bring big changes for him. By January, the French art magazine Arts published an article about the gallery owner and art collector Paul Guillaume (1893-1934). The Philadelphia native, Albert Coombs Barnes (1872-1951), a doctor, writer, art collector, and later the founder of the Barnes Foundation, came to Paris on multiple occasions to buy paintings from contemporary artists for his foundation.
Chaim Soutine knew neither Vincent van Gogh nor his works. However, even as a twentythree-year-old, he used a similarly forceful and independent expression, which he cultivated Old Woman with Dog, 1919. 1 cm. Stolen from the Roland collection in 2008. 14:Layout 1 8/15/2014 3:47 PM Page 38 Promenade auprès du village (Stroll near the Village), 1918-1919. Oil on canvas, 46 x 55 cm. Private collection. 14:Layout 1 8/15/2014 3:47 PM Page 39 Landscape, c. 1919. 1 cm. Private collection. 14:Layout 1 8/15/2014 3:47 PM Page 40 and eventually became his future trademark.
Chaïm Soutine by Klaus H. Carl