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Extra resources for Centuries of French Art: Selections from The Norton Simon Museum

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Photographs of the viewpxjint see a fishing boat which echo the The seamen Our low tide looking to- at we the right historical off-center great flamboyant Gothic its this faded glory. on the banks of the Lezarde On we see Nor- in possible to see that Jong- site, it is kind has observed the scene with scrupulous accuracy 17. \'IEW OF HARFLEUR. Oil on canvas, 17 x 23-1/4 in 1852 in. ) Signed and dated, lower right: "Jongkind 1852" many ments small details, yet he improve the visual to on the extreme artist has more of COLLECTIONS left is moved its it felt free to make adjust- effect.

London; achieve greater spontaneity in his Norton Simon Inc Foundation, Los Angeles (1973). asked, "Did the clouds for which which I Aubrey, skill at Dutch I own hoped to paintings. " JeanBcttiitn, p. ) Baudelaire praised Boudin's capturing atmospheric effects, claiming that one could guess the season, the time, and the wind. His enthusiasm was well-founded, come ing. artists luminous light to be- was lauded by generations of and provided a source of inspiration Impressionists. S. as the acknowledged master of skies in French paint- tor the 55 ; 21.

Abstract, formal qualities. Indeed, the The it is more reflection in the water could be by means of a and calm seem his study of the He manor to create the strong- in the scene. learned to compose his paintings in this painters. effectively con- lucid, geometrical shapes of the est note of stability from able to engaged in work or play, of the landscape veyed by pictorial means than its we road or path, as induced to contemplate the painting with more attention to and depicted. Since a would have been, or by being earlier painters empathize with human we is guided into the scene by are not COLLECTIONS lack of determine the locale of the scene, but the architecture of the D.

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Centuries of French Art: Selections from The Norton Simon Museum by San Francisco. California Palace of the Legion of Honor.


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