By Jonathan Fields, Meg Mateo Ilasco, Lisa Congdon
You don't need to starve to be an artist. construct a occupation doing what you're keen on. during this sensible advisor, specialist artist Lisa Congdon unearths the numerous methods you could generate income by means of making art—through representation, licensing, high-quality paintings revenues, print revenues, educating, and past. together with recommendation from such profitable art-world professionals as Nikki McClure, Mark Hearld, Paula Scher, and extra, paintings, Inc. will equip you with the tools—and the confidence—to flip your ardour right into a ecocnomic enterprise.
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Written in untechnical variety, this article is for college kids of track, paintings historical past, and literature in addition to of philosophy. It seems to be in any respect the humanities, corresponding to movie, song, fiction, poetry and structure. The textual content examines what the distinctive "value" of paintings is, instead of what paintings "is".
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Additional info for Art, Inc.: The Essential Guide for Building Your Career as an Artist
Nc~bnclvis forced to stay any longefihan tltev care to,and his narcissism does have some humor and appeal. m-ith their outer-space red depths in jq-hich N;luman, 11-earhg it striped shirt and jeans, slrtlnches up his body, tjq-eaks his nose, ticides his toes. He" enjocng hil, ovc-n body-this is inno- I can see the appeal of these kooky in- cent, nongenital masturbation-ancl tinlate scenes. In thew first 11-orks,Naunlan is the kouros as I-tohen~ianclovc-n. In a few other videos, althciugh h i peregrinations rouncl his empty studio are alreaclv too deep into neo-Beckettland for my taste.
The case m-as clo\ed, But of course the case is not closed. The artists are still working, and there is an eciurated auciience that \\-ants to understand why things have gone so \\-rang. The only experience I find more depressing than \\-alking thmugh the \XrhitneyBiennials is reading the critics \\-h0 say. "Yes, it's had. - reaction is different. " I'm wondering \\-h? Rafbara (Goodstein and Strtnle~Le\;\-isand tlozens of other artists haven't E-teen included--and among the artists m-e haven't seen in these she\\-s in recent years are pitinters as \\ell-kno\vn a, Rill lensen and loitn Snvder.
W ~ r h omay kind of demc~nicfigure, hut they can hardly help feeling that he's just the demon the story needed. In the early "Qs, \\-hen 1Varhol fitled canvases with nothing but dollar signs, he gave these art historians the perfect finish to all their studies of the rise of the market. And the market itself ran begin to look like a radical force-a force that explodes \\-hat many are inclined to believe is an antiquated idea of the arti\t as an individual. In the '70s and early '80s an artist pitinting small landscapes or ahstractions \\-ould have been tolci by ciralers that \\-hat the money people \\-anted \I-asn't "just another" landscape or abstraction, no matter ~ O M goad.
Art, Inc.: The Essential Guide for Building Your Career as an Artist by Jonathan Fields, Meg Mateo Ilasco, Lisa Congdon