By Harvey Giesbrecht, Charles Levin
This e-book proposes a brand new method of the matter of aesthetic event in Western tradition. Noting how artwork global phenomena evoke traditional psychoanalytic speculations approximately narcissism, the authors flip the tables and "apply" aesthetic questions and matters to psychoanalytic conception. Experimenting with Freudian and post-Freudian suggestions, they suggest a non-normative thought of the psychic force to deal with and embody deep tensions within the post-Renaissance aesthetic venture, the increase of modernism, and the modern paintings global. it really is argued that those tensions replicate imperative conflicts within the improvement of patriarchal civilization, which the emergence of the classy area, as a really expert diversity of perform, exposes and subverts. The postmodern period of aesthetic mirrored image is interpreted because the end result of a fancy narcissistic dialectic of idealization and de-idealization that's major for the certainty of latest tradition and its ancient clients.
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Additional info for Art in the Offertorium: Narcissism, Psychoanalysis, and Cultural Metaphysics (Contemporary Psychoanalytic Studies, Volume 15)
It also inﬂicts mental pain. It is the aesthetic object’s seductive force, its very attractiveness, that is at the root of the primary action to destroy [that] Freud called the death instinct . . Thus beauty . . and violence are intrinsically related . . the beholder is threatened with annihilation. (2011, pp. 133– 134) What attracts so much passionate desire in us also opens us to feelings of persecution by the awareness of transience (Freud, 1916)) and the inevitability of loss. These intensities are the freight of our drive condition.
They cannot survive its violent premise of competition for dominance. They want to retreat from the traumatic war zone into harmony and peace. ” Lovers, mothers, and babies are locked into their embraces, just as Abramovic locks the succession of her comers into a visual relationship that takes them out of this world, into a trance-like state. Marina Abramovic’s gaze, however, is not particularistic, like the mutual gaze of lovers; it is impersonal, quite blank. ” Conciousness is always accompanied by a sensation of observability, an implicit feeling that the accessible part of the psychic process unfolding within oneself is somehow seen or seeable.
2011, pp. 133– 134) What attracts so much passionate desire in us also opens us to feelings of persecution by the awareness of transience (Freud, 1916)) and the inevitability of loss. These intensities are the freight of our drive condition. There is no reason, then, to think that “primary narcissism” is incompatible with having objects, even in earliest infancy, but it does complicate the supposedly separate sphere of “object relations” immeasurably, and that is why in theory psychoanalysis tends to conceptualize narcissism and object relations as a binary opposition.
Art in the Offertorium: Narcissism, Psychoanalysis, and Cultural Metaphysics (Contemporary Psychoanalytic Studies, Volume 15) by Harvey Giesbrecht, Charles Levin